Hands
On Creative Workshops
I can travel to your group, guild or shop and teach a workshop
of your choice. Distance no object!
Take a look through Susan
Blog for workshop photos.
I bring a selection of my books for sale, plus fabrics and materials
appropriate for the workshop.
Each workshop includes a set of colour worksheets for you to keep.
For a full requirements list: E-mail
Susan Briscoe |
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Patchwork
Workshops - Rotary Cutting
A series of workshops to inspire any patchworker, quilter or textile
enthusiast. |
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Make a dramatic quilt centre from 11/2in strips (21 – 22in
long) or use a Moda Jelly Roll (2 1/2in strips). Machine sewing
& rotary cutting (cut your strips in advance).
This quilt is based very loosely on the "Hearts and Crosses"
coverlet in the collection of the Quilters'
Guild of the British Isles. We will make the quilt centre on
the day (the area within the pink border), with "take away"
instructions on how to complete your quilt with additional borders.
The photo shows the completed quilt top.
STOP PRESS!
This workshop is running at Gresford Memorial Hall, Gresford, Wrexham,
on Sunday 12 July 2009. For details:
Please contact Susan, or
Visit
her blog
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Now highly collectable, boromono rag cloths are easy to make, recycling
old fabrics – checked shirts are ideal - or try a bundle of
stripe and plaid fat quarters. Think folk art!
Machine sewing, simple rotary cutting with very little measuring,
big stitch quilting (hand) and easy hand applique. Every boromono
will be unique.
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A quick and easy design with a lively look. Learn how to get the
most out of your fat quarters!
Make blocks for a 42 x 36 in patchwork, exploring colour and easy
appliqué circles, from just 7 fat quarters plus an eighth
of a feature fabric for the circles.
The construction pattern is based on Japanese shoji screens and
the blocks arranged in an intriguing number sequence.
The image shows a version made by Dot Sherlock
at a workshop with Ruthin Quilters. And she pieced two more the
day after. She says she "got hooked by the design possibilities!" |
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Recycle fabrics in the raw appliqué layers and recycle part
of one block to make the next - the ultimate in recycling!
This 28 in square raw edge machine appliqué and patchwork
with a new look is perfect for batiks, hand dyes, solids and two
tone fabrics.
Make the blocks and sew the top on the day, quilt it later and
pop it is the washing machine to fluff up the layers for an abstract
flash of colour. The pattern was inspired by an old Japanese jacket.
The turquoise sample shows what you make
on the day and the purple one is how it looks after washing and
embellishment with big stitch quilting. |


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| Sashiko
Workshops
Discovering how to mark sashiko is the key to making the patterns
work for you and freeing you forever from pre-printed panels.
Each workshop is an introduction to a different aspect of the Japanese
sashiko tradition and a springboard to your creative use of the
technique, using simple running stitch for intricate effects. I
show you all the special tips and techniques I learned from the
experts in Japan. All these workshop are hand sewing.
Be warned: Sashiko is fun and
so easy to do, you may find it difficult to stop!
I can also provide a full weekend of sashiko tailored to your requirements,
including the talk, Sashiko
and Japanese Country Textiles, and elements of the various workshops
below. |
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The furoshiki is a traditional gift wrapping cloth that
also makes an unusual tablecloth, quilt centre or can be cut up
to make four cushion panels.
- Explore three ways of marking sashiko:
- Making and using a paper pattern
- Using a ruler and template
- And marking a kamon family crest using traditional Chaco transfer
paper
- Plus - Stitching the patterns using an "invisible"
method to start and stop.
Sashiko was often used to reinforce the corners of furoshiki and
to identify the owner via the crest.
The finished furoshiki is approximately 1 metre square and can
be cut to make four 50 cm cushion panels if you prefer.
Patterns options include corner chrysanthemum fan, shippo
(seven treasures), fundo (balance weights) and various
family crests including those shown on the right.
Top: Tsuki ni kumo - moon in cloud
Middle: Yama - mountain
Bottom: Yukimochi sasa - bamboo with snowflake |


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Hitomezashi (one stitch sashiko), from the Shonai region
of Yamagata Prefecture, resembles blackwork and is a great addition
to your stitching repertoire for quilting and embroidery.
From simple grids, discover how to mark and stitch traditional
patterns including:
- Komezashi - rice stitch,
- Kakinohanazashi - persimmon flower stitch,
- And Hanabishizashi - flower diamond stitch,
- Plus - Many variations along the way.
We will work on practice sample pieces approximately 10 cm square
that you can finish later as coasters, quilt block and cushion centres,
or keep for your sample collection.
An excellent introduction to the fascinating hitomezashi
pattern repertoire, where stitches appear "as if by magic!"
The Shonai Sashiko samples on the right are fro
a workshop at Bramble Patch. |
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A panel for a traditional drawstring bag is a great way to try out
two or more larger sashiko patterns.
Mark and stitch the bag pattern at the workshop and assemble the
bag at home. The panel can be cut to make two cushion panel centres.
Grid based sashiko designs include curved patterns, such as:
- Shippo - seven treasures,
- Nowaki - grasses,
- And seigaiha - ocean waves.
Plus classic patterns, like:
- Asanoha - hemp leaf,
- And ganzezashi - sea urchin stitch.
The bags shown on the right were made during
a workshop with Shropshire Quilters.
Top: Sashiko
Kinchaku bag Asanoha pattern.
Bottom: Sashiko
Kinchaku bag Nowaki pattern. |

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Sewing hinagata, a miniature garment, is a traditional
kimono teaching method.
Covering all the stages of making a full-size unlined or hitoe
kimono, you can try your hand at making a kimono just 50 cm long,
an attractive size for a wall display or doll wear.
The workshop includes the appropriate stitches for different stages
and fitting tips for making a real kimono to wear. Some seams may
be sewn by machine.
Great for all those Japanese patchwork fabrics! |
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A fully lined traditional waistcoat is a great casual garment and
worth adding to your repertoire.
Easy to make from straight panels, this is the sodenashi hanten
(sleeveless short jacket) once worn by Japanese farmers.
Good for slightly heavier fabrics, light denim, cotton flannel
etc.
Instructions for this waistcoat are included in The
Japanese Waistcoat Workbook. |
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| Bag
Workshops
As anybody who knows me will tell you, bags are a passion with me.
Hence my talk - Travels
With A Bag Lady.
And of course, there are my two books:
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A new version of this popular bag!
Make a unique and useful, fully-lined shoulder bag with a zip fastening,
featuring a pre-prepared panel in a technique of your choice.
A chance to make a very individual and useful bag that you will
use again and again. Machine sewing.
Members of Swansea Quilters had great fun
making their Rice Sack Bags, right. |
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Workshop
fees for 2010/2011
- £15 per student per day - minimum payable for 12 students
(i.e. £160) + £15 per extra student over that number.
- Plus travel expenses (.37p per mile) and accommodation/subsistence,
if required).
- Maximum 16 students per workshop.
The new fee structure reflects increases in worksheet printing
costs etc. but without increasing the cost for smaller groups.
Fluctuating petrol costs affect my mileage costs, by approx. 1p
per mile per 10p increase per litre of petrol.
A non-refundable deposit of £25 is payable at the time of
booking.
Back-to-back bookings
and tours
Whenever possible, I will try to arrange bookings with other groups
in your area immediately before or after your talk or workshop,
helping to keep mileage costs down for everyone.
If you know another group or shop in your area that might like
a talk or workshop around that time, please let me know.
I can't guarantee being able to do this but will try. Mileage costs
will be shared out on the fairest basis at my discretion.
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